When I wake up, I don’t
always know who I’ll be that day.
Sometimes it’s Amelia
Earhart. Or Clara Barton. Sometimes I’m Jackie Kennedy [in the photo above, for
example].
Assuming different
identities is part of what I do as a history performer. It involves lots of
research, shopping for vintage goodies, and wearing fabulous gowns. But most
importantly it involves creating an experience that is both fun and informative
for an audience.
Now, bear with me. But
acting bears a lot of similarity to working in a museum.
Like a great
interpretation, a great museum exhibition should be both entertaining and
educational. It should connect with what the audience already knows and
understands. It needs to convey information, of course, but it should also be
fun to experience and easy to understand. When a visitor leaves a great museum
exhibition, they should be inspired to think about the topic more, maybe even
want to learn more after the experience ends.
I began working in
museums in 2002 because I love this kind of learning – stimulating,
self-directed, and intimately connected to everyday life. After receiving
degrees in English (Stanford University) and History (Northwestern University),
I pursued a Museum Studies Master’s Degree from the University of Leicester in
Great Britain. In the ten years I’ve been working in museums, I have developed
exhibitions and lectured on a wide range of historical and cultural topics. A
sampling of my projects and thematic exhibitions includes A Great War Enthusiasm: Evanston and the Civil War (Evanston
History Center), Steelroots (The
Morton Arboretum), Vanishing Acts: Trees
Under Threat (The Morton Arboretum),
Jens Jensen: Landscapes for People (Sterling Morton Library), and Sweet Home Chicago: A History of the Candy
Capital of America (Elmhurst Historical Museum). I have led concept
development, conducted research, written exhibition labels, and developed
interpretation for museums ranging from an outdoor arboretum serving 800,000
visitors annually to a historic house serving 14,000 visitors each year. I have
served on the board of the Illinois Association of Museums and the advisory
board of the Illinois State Historical Society.
When
you work in the museum world, you never know what kind of fascinating,
challenging project will pop up next. This time around, I’ll be working with
Museum Explorer to research and write interpretive labels for an exhibition
exploring Elmhurst’s history and culture through the voices of people who have
lived there. Who knows what fascinating themes and intriguing characters will
emerge from the museum’s impressive collection of journals, newspapers,
photographs, maps, and other treasures. But whatever does emerge, I know I’ll
be striving to make something meaningful and memorable. And I’ll always try to
leave them wanting more.
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