Happy New Year to all you MuseumX fans! For our first post of 2015, we (predictably) will be doing some reflecting on the past… Although we are going back kinda far this New Year—from 2015 all the long way back to 1968.
As 2014 has come to a close, so too will “The 1968 Exhibit” at
the Chicago History Museum (tomorrow is the last day to catch it!). Fortunately we did not drop the ball before
the ball dropped - we were able to attend a special viewing of it last month!
To be honest, I was not thrilled about the subject matter of
this exhibit, solely based on personal preferences. The 1960’s are generally a period of American
History I have always been uninterested in. My parents are products of
the mid-60’s, and my mother is nostalgic, so she always had on TV sitcoms from
the era.. As a kid, these bugged me because they were A) not animated and
B), unbelievably not-funny. So much of what I reluctantly digested from
the 60s, I disliked, because it was not relatable. As I grew older and
learned more about the Civil Rights Movement, the American political system,
the Vietnam War, my disinterest was sustained. What a sad, sad
time. To have an exhibit that highlighted so many of these central events
and themes of the 1960s, was not that exciting to me. Fortunately, my
mind was changed very quickly upon entering the gallery in the Chicago History
Museum.
The foremost recollection of this exhibit is the entrance,
because it is so striking. The first space within ‘1968’ is at first, a
normal living room by 1960s standards: golden brown, straight lines, wooden
furniture, more shades of brown, and, a television set. Next in the order of the living room
properties is an actual “Huey” helicopter, to denote the heavy presence of the
Vietnam War in the thoughts (and tv sets) of Americans during the war. It’s
a powerful and provocative image. The
staging in ‘1968’ is pretty well done elsewhere in the gallery, too—my favorite
“scene” is the desk of a typical young woman in her 20s during the 1960s.
While the technology has shifted a bit from the blue typewriter featured on
this desk, I can firmly say that the general set up of the room (political
posters, colors, birth control) remains the same (being friends with several
female new-age hippies currently in their 20s).
Actually, this very characteristic of ‘1968: The Exhibit’ to me
is what was most surprising, and most rewarding: the events presented during
1968 are presented in such a way that they are totally relatable to the
happenings of 2014. While ‘1968’ is nostalgic to many of the museumgoers
that lived through the year themselves, I have no personal ties to the
60s. Although I was not really turned on by the subject matter of the
exhibit, I was able to enjoy myself moving through the year of 1968, both
learning new information about these events, and relating them to events that
are happening this day in age.
One of the many graphics on Race Issues in 1968 |
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